Friday, May 6, 2011
Tattoo on the Body Adriana Lima
Celebrity Gossip - The Price of Fame
Fame can be costly at times. The wide range of celebrity gossip sites provide proof of the fact that people like talking and knowing about celebrities. Celebrities have a major complaint against the celebrity gossip portals. Celeb gossip sites are in no mood to relent because trespassing into the private lives of the celebrities is their bread and butter. They are only feeding an insatiable demand of the readers of the entertainment news columns. The paparazzi would give an arm and a leg for a shot of a celebrity hanging around with an extra-marital partner.
The debate boils down to the basics: are celebrity gossip sites the price that celebrities pay. There are some celebrities who like to take the celeb gossip sites in their stride. Come to think of it, celebrity gossip sites do things the right way, when there is an opportunity. If you are an entertainment news junkie, you know that there are these times when the celeb gossip sites pay the celebrity for shots of their wedding or even of their newborns. A famous case is when Catherina Zeta-Jones and Michael Douglas got married. Despite the millions of dollars and the police and the private security protecting them from the paparazzi, and each guest personally welcomed by the marriage planner himself with the help of an undisclosed security code, an ingenuous person still got in and took snaps! The celebrity gossip magazine that published the pictures got sued but this set an historical example that no celebrity and no event was away from the infiltration of celeb gossip reporters!
The debate boils down to the basics: are celebrity gossip sites the price that celebrities pay. There are some celebrities who like to take the celeb gossip sites in their stride. Come to think of it, celebrity gossip sites do things the right way, when there is an opportunity. If you are an entertainment news junkie, you know that there are these times when the celeb gossip sites pay the celebrity for shots of their wedding or even of their newborns. A famous case is when Catherina Zeta-Jones and Michael Douglas got married. Despite the millions of dollars and the police and the private security protecting them from the paparazzi, and each guest personally welcomed by the marriage planner himself with the help of an undisclosed security code, an ingenuous person still got in and took snaps! The celebrity gossip magazine that published the pictures got sued but this set an historical example that no celebrity and no event was away from the infiltration of celeb gossip reporters!
Flaming
Labels:
Bruce Parrish,
Chopper History,
South Bay Style,
Tank Art
Wednesday, May 4, 2011
Tattoo Progress
Ryan sent a progress report on his new tattoo.

The Knuckle Reaper was originally from my October 2010 Halloween header art. It got more reaction than any other art on the blog. Should I do a T-Shirt of it?

The Knuckle Reaper was originally from my October 2010 Halloween header art. It got more reaction than any other art on the blog. Should I do a T-Shirt of it?
Monday, May 2, 2011
Sunday, May 1, 2011
White Bear 120

This really cool photo was among the first batch of shots Joe Hurst sent me. It was taken at Bonneville on the way home from his cross country trip with Dick Allen in 1973, hence all the gear he's packing. Joe says once they were on the salt, they just "got it on". It was taken by Dick's female passenger. Dick had Sportster gauges (speedo and tach), on Loco-Motion and said it was pegged at 120 mph.
Labels:
Chopper History,
Dick Allen,
Joe Hurst,
South Bay Style
Friday, April 29, 2011
More Loco
Dick on a their (the South Bay group's), annual cross country trip. Probably about 1973. These were some of the first photos Joe Hurst sent me, but I never got around to posting them.

Here's a pretty good shot of Dick and his Knucklehead chopper Loco-Motion. For such a well known bike, there aren't many good photos of it.

I believe this one is in Iowa.

Here's a pretty good shot of Dick and his Knucklehead chopper Loco-Motion. For such a well known bike, there aren't many good photos of it.

I believe this one is in Iowa.
Labels:
Chopper History,
Dick Allen,
Joe Hurst,
South Bay Style
Sunday, April 24, 2011
Saturday, April 23, 2011
B.P. Chopper Sculpture
After seeing the post on Greg Parigian's chopper sculpture, Bruce Parrish sent me some pics of the one he did for his father. It was based on and done when he finished his first build back in 1971. Bruce says, "It's 9.5" long and about 4" high at the sissy bar tip... and, yes, those are nails as well as washers, nuts and bolts, plus a few welding rods".


Bruce added, "Maybe I should go back to this form of art. Things happen way quicker".


Bruce added, "Maybe I should go back to this form of art. Things happen way quicker".
Friday, April 22, 2011
Dick Allen's Blue Print Part 2
These shots of the Blue Print are from an old Street Chopper and were found floating around the blogs awhile back. I Photoshoped the top one, it was taken by camera and had a flash reflection and was distorted. I had this issue (since lost), and am guessing it's from around 1974-75. Anybody know the month and year of the Street Chopper this is from?

Except for the paint and the bars, the bike is pretty much the same as first built. Note the raised transmission. I forgot to mention that feature of the frame in the first post. It looks like this was shot near the Del Amo financial center at Hawthorne and Carson Blvd. in the South Bay.

If you can get past the model, you'll notice some of the goodies of the bike. She helps illustrate just how low this bike sits. Note the seat. Dick liked to keep them real thin.

Sorry about the magazine gutter but it's not my scan.
I wonder what became of the bike or frame?

Except for the paint and the bars, the bike is pretty much the same as first built. Note the raised transmission. I forgot to mention that feature of the frame in the first post. It looks like this was shot near the Del Amo financial center at Hawthorne and Carson Blvd. in the South Bay.

If you can get past the model, you'll notice some of the goodies of the bike. She helps illustrate just how low this bike sits. Note the seat. Dick liked to keep them real thin.

Sorry about the magazine gutter but it's not my scan.
I wonder what became of the bike or frame?
Tuesday, April 19, 2011
Old Chopper Drawings
When Greg Parigian sent his sculpture photos, I asked if he could send some of my old drawings that I haven't seen for years.

I haven't seen the top one since about 1969. He sent a copy of the bottom one a few years ago and it's been posted before.

The chopper out front is a trike featuring a surrey type top and wooden pickup box in the back. Until now, I completely forgot this drawing. It's funny how the memories come back.

I'm 99% sure this of an actual trike. There's are just too many details that I know I didn't make up. There was a Asian biker who went by the nickname "Chink" that had a trike like this. He and some other bikers lived in an old two story house across from the Jack in Box on the corner of Flower st. and Century Blvd in Inglewood, CA. Greg and I once rode our chopped Sting-Rays over to check out their bikes. The bikers got a real kick out of our bicycles and took turns trying to ride them. If only we took a camera. I Google mapped it, and it appears the house and a remodeled Jack in the Box are still there.

I haven't seen the top one since about 1969. He sent a copy of the bottom one a few years ago and it's been posted before.

The chopper out front is a trike featuring a surrey type top and wooden pickup box in the back. Until now, I completely forgot this drawing. It's funny how the memories come back.

I'm 99% sure this of an actual trike. There's are just too many details that I know I didn't make up. There was a Asian biker who went by the nickname "Chink" that had a trike like this. He and some other bikers lived in an old two story house across from the Jack in Box on the corner of Flower st. and Century Blvd in Inglewood, CA. Greg and I once rode our chopped Sting-Rays over to check out their bikes. The bikers got a real kick out of our bicycles and took turns trying to ride them. If only we took a camera. I Google mapped it, and it appears the house and a remodeled Jack in the Box are still there.
Born Winner
I must be the luckiest man alive! Just look at how many winnings I came into last month, and it wasn't even the whole month.

P.T. Barnum: "There's a sucker born every minute".

P.T. Barnum: "There's a sucker born every minute".
Friday, April 15, 2011
Friday, April 8, 2011
Dick Allen's Blue Print
Bruce Parrish sent me these photos of Dick Allen's Blue Print. It was called the Blue Print because it was blue, but more importantly, it was planned to be the first of a series of ground up choppers built using Dick's parts and established styling cues.

Here's Bruce prepping the ultra rare Dick Allen frame for paint circa 1973. Only a few were ever produced. Dick didn't create the frame jig. For now, Bruce doesn't remember the name of the guy who Dick got it from. This was at Bruce's paint shop adjacent to Dick's in Gardena, CA. Note the Parrish Arts Logo in the background and compare it to Dick's Logo (both designed by Bruce), shown below.

This appears to be a under construction shot. The rear fender looks to be painted at this stage. Later, as on many South Bay bikes, it's chrome. Note the use of a (then), late model oil tank. The Blue Print was built for Freaky Fred Williams.

Above and below. Two of Bruce's photos from either the Tridents or the Long Beach car show.

This bike conjures up some fuzzy memories. I seem to remember seeing a feature on it and possibly another very similar bike using one of Dick's frame in a one of my now lost Custom Chopper Magazines. I know it was later featured in Street Chopper with a lighter blue paint job. More on that to come.

Here's Bruce prepping the ultra rare Dick Allen frame for paint circa 1973. Only a few were ever produced. Dick didn't create the frame jig. For now, Bruce doesn't remember the name of the guy who Dick got it from. This was at Bruce's paint shop adjacent to Dick's in Gardena, CA. Note the Parrish Arts Logo in the background and compare it to Dick's Logo (both designed by Bruce), shown below.

This appears to be a under construction shot. The rear fender looks to be painted at this stage. Later, as on many South Bay bikes, it's chrome. Note the use of a (then), late model oil tank. The Blue Print was built for Freaky Fred Williams.

Above and below. Two of Bruce's photos from either the Tridents or the Long Beach car show.

This bike conjures up some fuzzy memories. I seem to remember seeing a feature on it and possibly another very similar bike using one of Dick's frame in a one of my now lost Custom Chopper Magazines. I know it was later featured in Street Chopper with a lighter blue paint job. More on that to come.
Labels:
Bruce Parrish,
Chopper History,
Dick Allen,
South Bay Style
Saturday, April 2, 2011
This Season's Header L.L.L.#3
Since the beginning of the year, I decided I'd change the header every season instead of every month. I may go back to every month but this will do for now.

Linda Vaughn (Miss Hurst), from an old Hurst Airheart ad. I never thought I'd post a Kawasaki, but I dig the composition and thought it would make a great header. Linda ain't bad either.

Linda Vaughn (Miss Hurst), from an old Hurst Airheart ad. I never thought I'd post a Kawasaki, but I dig the composition and thought it would make a great header. Linda ain't bad either.
Friday, March 25, 2011
G.P. Chopper Sculptures
Greg Parigian and I were friends in junior high. Until about 6 years ago, I hadn't seen or talked to him since 1969. If you scroll down in the right column, you'll find a picture of us on our chopped stingrays that was once used for this blog's header. Greg sent a couple of emails with photos the other day. The text below is combination of them explaining the chopper sculptures he made in the 70's.

"Back in the early 70's I made some Harley chopper sculptures. I was selling and trading them for Harley parts to Hells Angels and Satan's Slaves. I would sketch their bike and then make a sculpture of it.

I think I made about 50 of them, but only saved one. I would sign them by putting a "P" on the rear wheel. The sculptures where all about 18" long and 12" tall. They had no bolts or nuts in them, they were all just metal I bought in the metal yard. They were welded together with gas torch and do not remember if I ever brazed any of them.

I was living in Canoga Park at the time and one of my neighbors was a guy they called big Louie. He was then the president of the Satan's Slaves. He rode a really cool bike, a chopped Knucklehead with a extended springer. I made one of his bike that was really nice. Some of them were clear coated. I also made them for other club members. Some of these guys were really scary. But they always paid me or gave me what I wanted in trade. I almost collected enough parts to build a flathead 80". - Greg

Two degrees of separation. Here's a photo of Satan's Slave Louie. I think I grabbed it from the Satan's Crate blog and believe it's from a Easyriders in the 80's. -CK
Anybody out there seen or have or seen one of Greg's sculptures? If you have something like it, look for a "P" or "GP" on the rear wheel.

"Back in the early 70's I made some Harley chopper sculptures. I was selling and trading them for Harley parts to Hells Angels and Satan's Slaves. I would sketch their bike and then make a sculpture of it.

I think I made about 50 of them, but only saved one. I would sign them by putting a "P" on the rear wheel. The sculptures where all about 18" long and 12" tall. They had no bolts or nuts in them, they were all just metal I bought in the metal yard. They were welded together with gas torch and do not remember if I ever brazed any of them.

I was living in Canoga Park at the time and one of my neighbors was a guy they called big Louie. He was then the president of the Satan's Slaves. He rode a really cool bike, a chopped Knucklehead with a extended springer. I made one of his bike that was really nice. Some of them were clear coated. I also made them for other club members. Some of these guys were really scary. But they always paid me or gave me what I wanted in trade. I almost collected enough parts to build a flathead 80". - Greg

Two degrees of separation. Here's a photo of Satan's Slave Louie. I think I grabbed it from the Satan's Crate blog and believe it's from a Easyriders in the 80's. -CK
Anybody out there seen or have or seen one of Greg's sculptures? If you have something like it, look for a "P" or "GP" on the rear wheel.
Sunday, March 20, 2011
Mystery Bike Part 3, Bruce's 1st Build
Working from the first post backwards, here's photos of Bruce Parrish's first chopper. This is the same bike that would become the Funny Bike in it's second iteration.

Escape from New York. Bruce bought a complete 1950 Panhead late in 1970 for $100. The frame engine and trans were loaded in the trunk of his friend's Chevelle and they headed for California.

Once in Cali., Bruce stumbled upon Dick Allen's shop, where the bike above, became the inspiration for his build.

Bruce's first mold job.

The proud owner with his freshly finished creation circa 1971.

Nicely detailed motor. Until I asked about it, Bruce had forgot about the chromed barrels. Turn down tips were added to the drag pipes at this point. The hex end bolt forward and highway pegs were made to match the rocker stud bolts of the Dick Allen springer.

Back to New York. Bruce rode his Pan cross country a few times.

Another trip to the east coast in '72. This time with SU carb and 2 into 1 collector exhaust.

Happy Birthday! Bruce said he was never superstitious since his birthday was the 13th. Then, on 1/13/73 (his 23rd birthday), some dude in a Mustang gave him a nasty present. Some might say it's the Green Bike curse. This was the end of the bike as it was and the beginning of the Funny Bike.

Escape from New York. Bruce bought a complete 1950 Panhead late in 1970 for $100. The frame engine and trans were loaded in the trunk of his friend's Chevelle and they headed for California.

Once in Cali., Bruce stumbled upon Dick Allen's shop, where the bike above, became the inspiration for his build.

Bruce's first mold job.

The proud owner with his freshly finished creation circa 1971.

Nicely detailed motor. Until I asked about it, Bruce had forgot about the chromed barrels. Turn down tips were added to the drag pipes at this point. The hex end bolt forward and highway pegs were made to match the rocker stud bolts of the Dick Allen springer.

Back to New York. Bruce rode his Pan cross country a few times.

Another trip to the east coast in '72. This time with SU carb and 2 into 1 collector exhaust.

Happy Birthday! Bruce said he was never superstitious since his birthday was the 13th. Then, on 1/13/73 (his 23rd birthday), some dude in a Mustang gave him a nasty present. Some might say it's the Green Bike curse. This was the end of the bike as it was and the beginning of the Funny Bike.
Thursday, March 17, 2011
Wednesday, March 16, 2011
Knice Knuckle Kiyo!
I was really late getting to the Garage Co. unveiling of the Born-Free Knucklehead last Saturday. I hate going to bike events in a car, so earlier in the day I paid a visit to my friend Larry Settle's shop to drop off some parts and hopefully get a new battery for my bike. He had one. It had been a really long time since I'd been there, so I ended up hanging out until about 5 p.m. I then rushed home, dropped the battery in and took off.

When I finally got to the Garage Co., guys were still hanging around mesmerized by the Knuck.

The bike has good balance of chrome and black.

A Knucklehead on a Knucklehead? I certainly hope not. Grant prodded me to try it on for size. It fits me well, and I even like the color.

I've said it once and I'll say it again... you really can't improve upon the classic chop. While at first glance it might seem simple, there's a ton of hand made goodies on this bike.

Kiyo making some post party adjustments.

Some lucky soul is gonna win this bike. This could be you!

When I finally got to the Garage Co., guys were still hanging around mesmerized by the Knuck.

The bike has good balance of chrome and black.

A Knucklehead on a Knucklehead? I certainly hope not. Grant prodded me to try it on for size. It fits me well, and I even like the color.

I've said it once and I'll say it again... you really can't improve upon the classic chop. While at first glance it might seem simple, there's a ton of hand made goodies on this bike.

Kiyo making some post party adjustments.

Some lucky soul is gonna win this bike. This could be you!
Saturday, March 12, 2011
Japan
Although this is pretty much exclusively a motorcycle blog, the tragedy in Japan can not be ignored. I would have posted something sooner, but was basically lost for words... and still am. If you're in Japan, just know that everyone here is discussing it and has you in their thoughts. For the rest of us, it's a reminder how we should not take anything for granted.
Monday, March 7, 2011
Ed Roth's Hustler Photos Uncut and Uncensored
Okay, I'm exaggerating a bit... nothing was censored, but these photos have never really been seen before.
Awhile back, In the midst of an unrelated email subject, Joe Hurst surprised me with Ed Roth's original photos for the Hustler feature in Choppers Magazine. As it turned out, Ed gave Joe the photos after it was in the magazine. The first two photos (below), were not published. I did a post on the Hustler feature last Dec. and although the last three made the magazine, I'm posting them again since they are much bigger, much better (than the bad print quality of the magazine), and uncropped.

Here's a cool one. It's an alternate to the shot Roth used to open the article. Yes the angle of the one used is better, but it has that big finger print on it. Like Roth said in the feature, "those forks really shine!"

Another photo that didn't make it.

The sissy bar in all it's glory. This one and the two below were featured, but the top of the sissy bar and the groovy trash can got cropped out.

Besides the details of the Phil Ross stitched seat, Jim Andrews bike "Grapes of Wrath" (upper left), is easier to spot in this large print.

The money shot, large and uncut. Joe later had the big SU carb polished to match the other shinny stuff. As mentioned in the first post, the engine came out of Dick Allen's Wheeler Dealer.
I think it's pretty cool to see these behind the scene shots all these year later.
Thanks Joe!
Awhile back, In the midst of an unrelated email subject, Joe Hurst surprised me with Ed Roth's original photos for the Hustler feature in Choppers Magazine. As it turned out, Ed gave Joe the photos after it was in the magazine. The first two photos (below), were not published. I did a post on the Hustler feature last Dec. and although the last three made the magazine, I'm posting them again since they are much bigger, much better (than the bad print quality of the magazine), and uncropped.

Here's a cool one. It's an alternate to the shot Roth used to open the article. Yes the angle of the one used is better, but it has that big finger print on it. Like Roth said in the feature, "those forks really shine!"

Another photo that didn't make it.

The sissy bar in all it's glory. This one and the two below were featured, but the top of the sissy bar and the groovy trash can got cropped out.

Besides the details of the Phil Ross stitched seat, Jim Andrews bike "Grapes of Wrath" (upper left), is easier to spot in this large print.

The money shot, large and uncut. Joe later had the big SU carb polished to match the other shinny stuff. As mentioned in the first post, the engine came out of Dick Allen's Wheeler Dealer.
I think it's pretty cool to see these behind the scene shots all these year later.
Thanks Joe!
Labels:
Choppers Magazine,
Dick Allen,
Ed Roth,
Feature Bike,
Joe Hurst,
South Bay Style
Friday, March 4, 2011
What to do with a '79 up Ironhead
When the 1979 Sportster came out very early in '78, I like many tradition Harley fans hated it. It's new frame may have done things better, but it was a lousy platform for a custom. The first thing that struck many was the triangle section under the seat making it now look like every other (mostly from Japan), motorcycle . The seat was too flat across it's top, and then there was those pipes! Sure almost everyone replaced pipes on a new Harley, but this one proved difficult due to the location of the rear brake reservoir. Soon custom catalogs advertising pipes had the now famous disclaimer, fits all years except '79.

Perhaps ugly ages more gracefully with time... or maybe it's just the slick studio photography? Later, I sort of liked this look. Even the weird pipes kind of grew on me. This two page center spread ad is from the May 1978 Street Chopper.
The brake reservoir location, pipes, and this style of battery/oil tank cover only lasted a year. It seemed like each following year, Harley would slightly modify the Sportster to try and make it once again more appealing to the traditional Harley buyer.

The once unpopular 1977-'78 XLCR. Harley recycles everything. If I'm not mistaken, the fiberglass front fender is the same one that was advertised in the parts and accessories catalogs many years before this model was offered.
As time passed and XLCR's became collectible (nobody liked them at first either), I thought these later Ironheads would be good raw material for XLCR type bikes. One big plus, you could do them up anyway you wanted without messing up a collectors item. (My personal idea/concept was always to be more like a XR750 with no fairing and traditional spoke wheels). I wasn't the only one. A few years ago at El Camino, I saw XLCR clones made from '79 and later XL's.

This bike (from last week's Long Beach Swap), prompted this post and is fairly close to my vision of what a cool street tracker would look like. It turned out to built by the guy that does the CR clones and was done up from some of his parts wheeling and dealing. It would be really cool to use a pre-cone motor with magneto in one of these frames for an even more authentic look.
Maybe Harley is smarter than we think. It's history seems to be littered with models that were not first liked or didn't sell well, that later become very sought out. 1971 Boat tails and 1983 XR's come to mind.
The story of the first FXR's is pretty similar, and I didn't like them at first too.

Perhaps ugly ages more gracefully with time... or maybe it's just the slick studio photography? Later, I sort of liked this look. Even the weird pipes kind of grew on me. This two page center spread ad is from the May 1978 Street Chopper.
The brake reservoir location, pipes, and this style of battery/oil tank cover only lasted a year. It seemed like each following year, Harley would slightly modify the Sportster to try and make it once again more appealing to the traditional Harley buyer.

The once unpopular 1977-'78 XLCR. Harley recycles everything. If I'm not mistaken, the fiberglass front fender is the same one that was advertised in the parts and accessories catalogs many years before this model was offered.
As time passed and XLCR's became collectible (nobody liked them at first either), I thought these later Ironheads would be good raw material for XLCR type bikes. One big plus, you could do them up anyway you wanted without messing up a collectors item. (My personal idea/concept was always to be more like a XR750 with no fairing and traditional spoke wheels). I wasn't the only one. A few years ago at El Camino, I saw XLCR clones made from '79 and later XL's.
This bike (from last week's Long Beach Swap), prompted this post and is fairly close to my vision of what a cool street tracker would look like. It turned out to built by the guy that does the CR clones and was done up from some of his parts wheeling and dealing. It would be really cool to use a pre-cone motor with magneto in one of these frames for an even more authentic look.
Maybe Harley is smarter than we think. It's history seems to be littered with models that were not first liked or didn't sell well, that later become very sought out. 1971 Boat tails and 1983 XR's come to mind.
The story of the first FXR's is pretty similar, and I didn't like them at first too.
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